The five dates that cannot move
Everything else is our own pacing. These four are promises already made.
Day by day
Red is a client delivery. Green is one of the five posts on our own profile. Tick it the moment it is out.
How this was built
So you can tell whether a date is load-bearing or just a rhythm.
Units in eight batches
Eighteen scripts between now and 15 October is two videos every other day, with the El Gouna shoot cut out of the middle. They go out in the order they earn money: the two starred shorts first so paid media can start, then the rest of the shorts, then the UGC — all four out before we travel — then positioning, and the two long-form films last.
Clear air around every shoot
The OCEANMAN full film lands 30 September with no Units batch on either side of it. The two shoot blocks — El Gouna 8–10 October and IRONMAN 16–17 October — carry no deliveries at all, and nothing else is due in the IRONMAN week.
Our own profile stays selective
Five posts, not fifty. Silversands, the two RAW OCEANMAN cuts, one lead film from Units, and the IRONMAN film. Everything else we deliver stays the client’s and never touches our page. Each one sits at least five days behind the client handover — except the Units film, which is fixed to 1 October.
Boat Show — shoot, then three passes
We are on set in El Gouna 8–10 October, so nothing is cut that week and the last Units UGC film goes out on the 7th, before we travel. The reels then come one at a time, five days apart — 14, 19 and 24 October — so each one gets a review cycle and the third lands exactly on the client ceiling.